C Dorian Bebop — Viola

C Dorian Bebop is 8 notes to the octave (bebop family), drawn here along the Viola's CGDA strings with every C named, so home is findable from any finger.

Dorian with a chromatic passing tone slipped between the b3 and the 4 — eight notes, so chord tones keep landing on the strong beats in a run of eighth notes. Cool, flowing, and swinging.

Heard in: Bebop and straight-ahead jazz lines over minor seventh chords — Charlie Parker, Dizzy Gillespie, and the Barry Harris approach.

Because the strings climb in fifths, one hand position covers a wide span of the fingerboard — four fingers, a fifth of range per string, and the same finger pattern repeating across every neighbouring pair. Learning a scale here is mostly learning WHICH position it wants and where the shifts fall.

Open-string drones: every one of the Viola's 4 open strings belongs to C Dorian Bebop — the C string (the tonic), the G string (the sixth), the D string (the second) and the A string (the seventh) — so they can ring beneath the line as a fixed reference.

The C string and the G string are chord tones of the C tonic triad, so they stay consonant against every degree of the scale. The G string sits a perfect fifth above C, which is the interval that makes a held open string read as modal rather than merely in tune.

Play it slowly with a long bow, one note to a stroke, and listen for the notes that pull sharp or flat against the open C and A. Intonation on this instrument is a conversation with the open strings — nothing on the fingerboard decides it for you.